Dir: WERNER HERZOG
Country: WEST GERMANY
The Unprecedented Defence of the Fortress
Deutschkreuz
is a short fourteen minute film written, directed, and produced by Bavaria’s
finest filmmaker Werner Herzog. It was his third film, following on from his
debut short Herakles (1962) and the
mysterious and totally obscure Game in
the Sand (1964). The latter is a film that Herzog has consistently refused
to distribute, and will almost certainly remain hidden, owning to subject
matter that still leaves the director disturbed. Fortress Deutschkreuz was Herzog’s first attempt at fiction, and as
such it can be seen as something of a dress rehearsal for his first feature
film Signs of Life which would follow
in 1968. Both films explore the psychology of warfare, as the protagonists do
battle with imaginary enemies. Signs of
Life benefited tremendously from its beautiful Crete locations, brought
vividly to monochrome life by the cinematography of Thomas Mauch, and the
brilliantly unhinged performance of Peter Brogle as the brittle fantasist
Stroszek. Fortress Deutschkreuz by
contrast is still a little uneven and crude in places and the quality of the
transfer I viewed does not aid its cause. However it does set up a satirical
attitude to warfare that Herzog would develop and refine throughout his career.