I ladri AKA The Thieves (1959) - Italian Poster
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Ragazzi del Juke-Box AKA The Jukebox Kids (1959) - Italian Poster
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Urlatori alla sbarra AKA Howlers at the Dock (1960) - Italian Poster
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I due della legione straniera AKA Those Two in the Legion (1962) - Italian Poster
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Uno strano tipo AKA The Strange Type (1963) - Italian Poster
Italian Poster
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Gli imbroglioni AKA The Swindlers (1963) - Italian Poster
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I due evasi di Sing Sing AKA Two Escape from Sing Sing (1964) - Italian Poster
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002 agenti segretissimi AKA Oh! Those Most Secret Agents (1964) - Italian Poster
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I due pericoli pubblici AKA Two Public Enemies (1964) - Italian Poster
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002 Operazione Luna AKA 002 Operation Moon (1965) - Italian Poster
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002 Operazione Luna AKA 002 Operation Moon (1965) - Italian Poster
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I due para AKA The Two Parachutists (1965) - Italian Poster
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Tempo di Massacro AKA Massacre Time AKA The Brute and the Beast (1966) - Italian Poster
US Poster
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Come rubammo la bomba atomica AKA How We Stole the Atomic Bomb (1967) - Italian Poster
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Operazione San Pietro (1967) - Italian Poster
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Una sull'altra AKA One on Top of the Other AKA Perversion Story (1969) - Italian Poster
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Beatrice Cenci AKA Perversion Story AKA Conspiracy of Torture (1969) - Spanish Poster
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Una lucertola con la pelle di donna AKA A Lizard in a Woman's Skin (1971) - Spanish Poster
Italian Poster
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Non si sevizia un paperino AKA Don't Torture a Duckling (1972)
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Zanna Bianca AKA White Fang (1973) - Italian Poster
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Il ritorno di Zanna Bianca AKA The Return of White Fang (1974) - Italian Poster
US Poster
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I quattro dell'apocalisse AKA Four of the Apocalypse (1975) - Italian Poster
Italian Poster
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Il cav. Constante Nicosia demoniaco, ovvero: Dracula in Brianza AKA Dracula in the Provinces (1975) - Italian Poster
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La Pretora AKA My Sister in Law (1976) - Italian Poster
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Sette note in nero AKA The Psychic (1977) - Italian Poster
US Poster
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Thanks for these uploads, Shaun. The range of titles indicate how selective the genre commentary upon Fulci can be - (largely) completely ignoring his broader filmography in Italian cinema.
ReplyDeleteNo problem at all! Of course part of the problem is the difficulty posed by the infrequent distribution of his early films. The genre Fulci was most associated with for many years was comedy. But he also put his hand to spy capers, musicals, westerns, historical dramas, and gialli...in addition to his horror productions. Film history is very selective, and thanks to assholes like Tarantino and the simpering cretins that genuflect at his altar, Fulci is considered a one trick gore pony.
ReplyDeleteI should also say that the generic diversity of his ouput also embarrases those who wish to create a horror auteur persona around Fulci. This is another reason why his early work is conveniently ignored.
ReplyDelete